Calling this one done!
Posted: Tue Apr 14, 2015 11:15 am
I've shown some pictures of this one along the way but I am declaring it now done!
It is a crossover. OM body, 20' radiused fretboard, 14 frets at the body.
Sapele B & S with maple bindings.
Sitka spruce top with 9 fan bracing.
Spanish cedar neck.
Ebony fretboard, cocobolo bridge
Madagascar rosewood headstock overlay front, sapele on the back.
I did some porefilling with shellac and sawdust, and some with rosewood colored Timbermate. I guess I like the Timbermate better.
The finish is french polished shellac. I used Zinners Sealcoat cut to a 1lb cut and padded it on ala Robbie's O'Briens finishing video. I tried to follow it best I could.
I did finish with the bridge on.....never again. I had a good reason for gluing the bridge on first but I will avoid that again at all costs.
I let the finish sit for 3 weeks then I rubbed it out with 0000 steel wool and finishing wax. I really like how it feels, came out somewhere between satin and semi-gloss.
I don't care for the fine scratches the steel wool leaves behind, but I will get use to it. Robbie is right, the finish is silky smooth and really is nice in the hands.
My wife says that is how she wants her guitar finished.
I have had strings on this guitar in the white, and tried to reuse those strings, which didn't work out- too short.
In the process of putting them on I realized i forgot to protect the top right behind the bridge, and I do now have a couple little dents there. Oh well the first
of many I'm sure. This guitar was an experiment and overall I'm pleased with how it has turned out. It sounded pretty good in the white, hoping
it will sound better now that it is finished. I'll get new strings on it tonight. My playing is modest but I'll put up a sound bite of how it sounds.
Kevin
It is a crossover. OM body, 20' radiused fretboard, 14 frets at the body.
Sapele B & S with maple bindings.
Sitka spruce top with 9 fan bracing.
Spanish cedar neck.
Ebony fretboard, cocobolo bridge
Madagascar rosewood headstock overlay front, sapele on the back.
I did some porefilling with shellac and sawdust, and some with rosewood colored Timbermate. I guess I like the Timbermate better.
The finish is french polished shellac. I used Zinners Sealcoat cut to a 1lb cut and padded it on ala Robbie's O'Briens finishing video. I tried to follow it best I could.
I did finish with the bridge on.....never again. I had a good reason for gluing the bridge on first but I will avoid that again at all costs.
I let the finish sit for 3 weeks then I rubbed it out with 0000 steel wool and finishing wax. I really like how it feels, came out somewhere between satin and semi-gloss.
I don't care for the fine scratches the steel wool leaves behind, but I will get use to it. Robbie is right, the finish is silky smooth and really is nice in the hands.
My wife says that is how she wants her guitar finished.
I have had strings on this guitar in the white, and tried to reuse those strings, which didn't work out- too short.
In the process of putting them on I realized i forgot to protect the top right behind the bridge, and I do now have a couple little dents there. Oh well the first
of many I'm sure. This guitar was an experiment and overall I'm pleased with how it has turned out. It sounded pretty good in the white, hoping
it will sound better now that it is finished. I'll get new strings on it tonight. My playing is modest but I'll put up a sound bite of how it sounds.
Kevin