Numero Quatro
Posted: Wed Nov 12, 2014 6:11 pm
Numero Quatro Chicory Bleu
11/12/24
When I started my third acoustic guitar I decided to build another with like components and same form but with a ladder-braced top instead of X-braced like #3. I made duplicate head and end blocks for use with #4.
A red oak skid from a pallet provided the sides for #3, but I was left with a less-attractive piece for #4. These sides had worm holes, and they split lengthwise when they came out of my Fox bender. As the splits were toward the back where they'd be reinforced by the reverse-kerfed linings, I used them anyway. When I epoxied the 1/4” x 1/2” neck reinforcement in #3 I used the remainder of the already-mixed epoxy to screed into the cracks from the exterior of #4. Some of this shows in the photo with the recently glued bindings, before cleanup. I may regret doing this if it shows thru the finish.
This guitar has parallel top and back made of 1/8” Russian birch plywood like #3. The silhouette is from a Santa Cruz OM. The body depth is 3-1/4”. The soundhole is 3-5/8” diameter. Bindings are cherry, .10” x .25”. Sides and bindings are plain-sawn. The end block is nominal half-inch Equadorian plywood, and the head block is laminations of 1” yellow poplar. Reverse-kerfed linings are basswood, 1/4” x 3/4”, kerfed with a chop-saw blade in my radial arm saw. Interior bracing is white pine from common lumber, selected for grain orientation to be quarter-sawn. Scale will be 25.4”.
I had part of a pint of light oak stain left from staining the stair rails 11 years ago. It was mostly just dried up sludge in the bottom of the can, but I reconstituted it somewhat with some mineral spirits and mopped it on the plywood top and back before brushing on the sanding sealer. Since these components are dark, I'm thinking of making a maple fingerboard and bridge for contrast.
I need to glue up neck stock next.
11/12/24
When I started my third acoustic guitar I decided to build another with like components and same form but with a ladder-braced top instead of X-braced like #3. I made duplicate head and end blocks for use with #4.
A red oak skid from a pallet provided the sides for #3, but I was left with a less-attractive piece for #4. These sides had worm holes, and they split lengthwise when they came out of my Fox bender. As the splits were toward the back where they'd be reinforced by the reverse-kerfed linings, I used them anyway. When I epoxied the 1/4” x 1/2” neck reinforcement in #3 I used the remainder of the already-mixed epoxy to screed into the cracks from the exterior of #4. Some of this shows in the photo with the recently glued bindings, before cleanup. I may regret doing this if it shows thru the finish.
This guitar has parallel top and back made of 1/8” Russian birch plywood like #3. The silhouette is from a Santa Cruz OM. The body depth is 3-1/4”. The soundhole is 3-5/8” diameter. Bindings are cherry, .10” x .25”. Sides and bindings are plain-sawn. The end block is nominal half-inch Equadorian plywood, and the head block is laminations of 1” yellow poplar. Reverse-kerfed linings are basswood, 1/4” x 3/4”, kerfed with a chop-saw blade in my radial arm saw. Interior bracing is white pine from common lumber, selected for grain orientation to be quarter-sawn. Scale will be 25.4”.
I had part of a pint of light oak stain left from staining the stair rails 11 years ago. It was mostly just dried up sludge in the bottom of the can, but I reconstituted it somewhat with some mineral spirits and mopped it on the plywood top and back before brushing on the sanding sealer. Since these components are dark, I'm thinking of making a maple fingerboard and bridge for contrast.
I need to glue up neck stock next.