Then time for sanding. The most uneven joint were scraped flush before and now I sand with a sandingblock and 150# paper. The walnut is quite soft so the sanding is easy. (Had hard maple earlier that was a hell to sand)
The surface was whiped with shellac sealer because I want to avoid that the stained filler colors the delicate wood and the maple bindings. The filler I use is made accordingly to Robbie O'Briens video. Means: Fine grained plasterfiller with brown and a drop of black. Costs: about 2 cts! (These days I only use the Stewmac liquid dyes for everything.)
Standard method: thick paste whiped in circles into the pores. Leave it a day for drying/shinckage.

Maybe object for discussion:
The last 2 guitars the filling was Z-Poxy. Works great as a filler, as long you dont sand back into the wood.(Leaves visable marks)
These guitars turned out good, but in the back of my mind I feel reluctant to the use of rubberish material on a guitar. Z-Poxy becomes hard, but not "brittle-hard". Does it affect the sound? Probably none of use will make 2 identical guitars with and without epoxy.
I know some of us, amongst Ken, like the epoxy. But well, I keep having doubts.