Any Merit?

Wood choice logic, brace shapes, braces patterns -- what and why for the "heart of the guitar"
Ray Ussery
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Joined: Wed Dec 21, 2011 12:51 am

Any Merit?

Post by Ray Ussery » Thu Jan 09, 2014 1:54 pm

Image

Dave Bagwill
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Re: Any Merit?

Post by Dave Bagwill » Thu Jan 09, 2014 2:08 pm

The tone bars, at first glance, appear to be more effective than the Martin style; maybe aren't though?
They look more efficient to me because they are driven directly by the movement of the bridge/plate, rather than being driven 'second-hand' by the xbrace that IS directly excited by the bridge/plate.

Better than Martin-style? Beats me.
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ken cierp
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Re: Any Merit?

Post by ken cierp » Thu Jan 09, 2014 2:15 pm

Tone bars are an important part of the overall structure -- positioned cross grain to prevent cracks. Fan bracing does not accomplish this very well, if you need proof take a look at some older Ovations I bet a bag of donut holes you'll see many along the grain cracks. $.02

Dave Bagwill
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Re: Any Merit?

Post by Dave Bagwill » Thu Jan 09, 2014 2:31 pm

So maybe the Larivee single brace connecting the x-braces is a good idea as well.
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ken cierp
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Re: Any Merit?

Post by ken cierp » Thu Jan 09, 2014 4:19 pm

I believe Larrivee makes some of the very best sounding production guitars. So yes -- matter of fact my Norman Blake style 12th fret OM has single tone bar perpendicular to the top center-line.

Dave Bagwill
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Re: Any Merit?

Post by Dave Bagwill » Thu Jan 09, 2014 4:22 pm

Nice.
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ken cierp
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Re: Any Merit?

Post by ken cierp » Thu Jan 09, 2014 4:25 pm

Ray -- what's up with the those little deally thingies on the ends of the fan braces near the HUGE! bridge plate?

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