Re: yellow cyprus, red cedar soundboards - - - sound differe
Posted: Thu Oct 04, 2012 6:25 pm
All generalizations have exceptions, (except the oh so general generalization) so they are untrustworthy as authoritative to this particular instrument. Which is actually what you said, isn't it?
Brian is super picky - I mean, SUPER PICKY - about his wood. So is Ken Cierp. I tested some fine looking, old, european spruce at Brian's - of the 20 or 30 year's data he has amassed, this spruce tested the LOWEST of all time. And it looked great. I won't be using it. But in general, fine looking, old European spruce is good stuff.
I think newbies are best served by wood that has been thoroughly tested, or checked out by someone with extensive and critical experience. Ken does a fine job of it. I myself not so much, is why I went through the trouble of learning how to do it and building the fixtures.
It's a heartbreaker to go all the way through a build and then string it up to find - you'd been working uphill against a bad top without knowing it.
Actually, reading through it, I just said the same thing you did but in a more bloviated way...:-)
Brian is super picky - I mean, SUPER PICKY - about his wood. So is Ken Cierp. I tested some fine looking, old, european spruce at Brian's - of the 20 or 30 year's data he has amassed, this spruce tested the LOWEST of all time. And it looked great. I won't be using it. But in general, fine looking, old European spruce is good stuff.
I think newbies are best served by wood that has been thoroughly tested, or checked out by someone with extensive and critical experience. Ken does a fine job of it. I myself not so much, is why I went through the trouble of learning how to do it and building the fixtures.
It's a heartbreaker to go all the way through a build and then string it up to find - you'd been working uphill against a bad top without knowing it.
Actually, reading through it, I just said the same thing you did but in a more bloviated way...:-)