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Re: Second Falcate Classical
Posted: Mon Oct 19, 2015 4:12 pm
by John J
It's looking really good. I love the detail you present on the construction steps.
Re: Second Falcate Classical
Posted: Mon Oct 19, 2015 5:00 pm
by Kevin in California
John, so that radiusing bit for the fretboard worked pretty good?
Re: Second Falcate Classical
Posted: Mon Oct 19, 2015 5:53 pm
by John Parchem
Kevin in California wrote:John, so that radiusing bit for the fretboard worked pretty good?
I am sold on it. It saved me a bunch of sanding time. This was my only use so far but it was as cocobolo fret board not ebony. I was lucky I had already slotted the fret board. I took a chance but I did not get any tear out around the slots.
Re: Second Falcate Classical
Posted: Tue Oct 20, 2015 6:55 pm
by John Parchem
I started the finish process. So I should be finished in a few weeks. I thought I would post one change I made to my zpoxy process a couple of instruments ago. When working with rosewood and white purfling lines I mix a small amount of zpoxy up, dilute it with alcohol and seal the bindings and purflings. The stuff drys to tack within an hour or so. At that time I zpoxy the rest of the instrument.
Re: Second Falcate Classical
Posted: Wed Oct 21, 2015 11:02 am
by Kevin in California
John going to be purdy. What is that binding? Curly Koa?
Re: Second Falcate Classical
Posted: Wed Oct 21, 2015 11:55 am
by John Parchem
Kevin in California wrote:John going to be purdy. What is that binding? Curly Koa?
Thanks Kevin, close another Acacia, it is Australian Blackwood. to be honest if I do not keep my stash labeled I can not tell the difference between it an Koa.
Re: Second Falcate Classical
Posted: Wed Oct 21, 2015 1:46 pm
by Kevin in California
From what I've seen those two are pretty similar, I've used and have more Curly Koa but not used the AB.
Even curly honduran hog can have a close look I think.