Post
by John Link » Thu Nov 27, 2014 2:53 pm
John,
At a certain level of achievement, guitars sound "different from" each other, not necessarily "better than". Yours have certainly reached that level.
This one, like the first Gore-style you made, has an aggressive aspect that seems to come out in the treble notes and the treble overtones associated with lower notes. But it puts an even more marked "edge" to the treble sounds than the larger instrument, as might be expected from the smaller box.
By comparison - and I know I am wandering into the swamp of generalization here - the typical Martin sound is softer, blended, even as it is plenty loud. I realize "soft" is not a word usually associated with Martin acoustics. But this is a comparison and I really have not heard anything this "pushy", this compelling, coming from a Martin. The Gore-style demands that it be listened to; more "cutting" is another way to describe it. I find that, as a listener, I am not free to let my attention wander. I certainly wonder, as do you, what this guitar would sound like in the hands of a world class player.
In any event, it makes a case to seriously consider falcate bracing. Good job.
John