Have you guys got any ideas on the binding scheme? I do have an ebony endwedge (thanks K) and I made the ebonized bridge, but I'm a little stumped on the rest of the them as I've not worked with such a monotone body before. There is plenty of figure in the bubinga, and the ebony looks good against the redwood, but like I said I'm stumped on the rest of the details - fingerboards, headplate, binding.
I will pay large $ for some good ideas, to be paid out of the profits I make on the sale of the guitar, if it sells for over $12,323.00. :-)
Parlor guitar
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Re: Parlor guitar
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Re: Parlor guitar
I like cocobolo with bubinga and redwood. It is darker but still has a bit of red in it. If you have back cutoffs form the bubinga book match them for the head stock veneer. If you have a black side purfling line on the cocbolo it would work right in with your ebony wedge.
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Re: Parlor guitar
I like John's idea, sounds like a sweet combination
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Re: Parlor guitar
I'm not sure what this binding combination is - could it be coco?
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Re: Parlor guitar
Sure looks like it or similar
Re: Parlor guitar
bloodwood.